Education

Roll up, roll up for the Martin Parr Foundation membership scheme

Reading Time: 5 minutes
Would you want Martin Parr to take your portrait? You might say its a brave soul who goes in front of his penetrating lens, but it’s part of a portfolio of benefits the Martin Parr Foundation is launching in its Membership Scheme.

Parr set up the Bristol-based Foundation in 2014 to house his archive, but in October 2017 it opened to the public in a purpose-built space, offering free access to much more – a rolling programme of exhibitions, a large photobook library, and a growing collection of prints. Parr’s used the opportunity to hone in on British and Irish photographers, as well as work taken in the British Isles by others, and put the focus on their documentary work – an area which he believes is still underrated.

NOOR offers free masterclasses in Turin, Budapest, and Zürich

Reading Time: 4 minutes
“The ethics for me is the backbone of what we do. If we don’t follow strict ethics within our work, I think we are damaging the credibility of the whole of this profession,” says Bénédicte Kurzen, a photographer and member of the prestigious NOOR photography collective since 2012. Now she, and seven other NOOR photographers are putting her words into action, with three masterclasses offered free of charge to budding photojournalists.

Supported by Nikon Europe, the masterclasses are four days long, and each feature three tutors. Kurzen is teaming up with Sanne De Wilde and Francesco Zizola for the masterclass in Turin, held from 12-15 November; Tanya Habjouqa, Sebastian Liste and Kadir van Lohuizen are at the masterclass held in Budapest from 26-29 November; and Tanya Habjouqa, Jon Lowenstein and Léonard Pongo are at the masterclass held in Zürich from 03-06 December. 

Tom Roche: Black Blood

Reading Time: 3 minutes
Growing up, photographer Tom Roche learned about his Romani Gypsy heritage only through fragmentary stories and speculation. “My great, great uncle was stabbed in the heart with a wooden stake because he owed money for land,” says Roche, a recent University of the West of England graduate. “Then I had one aunt, aunt Liz, who used to pick crops, one aunt that made baskets, and another who sold pegs – or so I’m told; I don’t have any images, records, or concrete facts of my ancestors.”

Q&A: Jason Fulford, photographer, book-maker, and educator

Reading Time: 16 minutes
In adopting the photobook as his primary medium, using complex sequences as well as free ranging associations to create what’s been described as ‘open metaphors’, Jason Fulford is more interested in questions than answers. He invites readers to become active participants in his work, presenting an open enquiry in which the various interconnecting layers are often cryptic and complex, and the meaning is less important than the experience of looking and thinking.

Arles: Young guns on show at Arles’ Voies Off fringe festival

Reading Time: 4 minutes
Running during Les Rencontres d’Arles and with an opening week all of its own, Voies Off is a well-established, free, fringe festival. Featuring exhibitions, evening projections, portfolio reviews, and parties – this year sound-tracked by the Africa Fete Festival – it’s the place to discover and be discovered.

Based in the Cour de l’Archevêché in the centre of Arles but with exhibitions running all over town, Voies Off is sponsored by Leica and is screening the 2018 Leica Oskar Barnack Award finalists every night this week except Wednesday. But it also has a well-defined programme of their own, which this year includes an exhibition titled If Slovenia Were… curated by the respected Slovenian/French photographer Klavdij Sluban and featuring work by 19 contemporary Slovenian photographers. 

Arles: Les Rencontres d’Arles 2018 programme

Reading Time: 12 minutes
It’s the biggest and best-respected photo festival in the world – it’s Arles and it’s back from 02 July-23 September, with a special opening week from 02-08 July. With the blessing of the French Minister of Culture François Nyssen – who declares that “Arles wouldn’t be Arles without photography” in her welcome to the festival – the 49th year of the festival is lead by director Sam Stourdzé, who took over its organisation in October 2014. As you might expect, the momentous events of May 1968 are commemorated at Arles this year, with a group of exhibitions titled Run Comrade, The Old World is Behind You. Considering events such as the student demonstrations and strikes in France, and the assassination of Robert F Kennedy that year, this section includes shows such as 1968, What a Story! which uses previously unseen images from police archives, Paris Match and Gamma-Rapho-Keystone. Elsewhere Arles looks to the future with a group of shows titled Augmented Humanity which includes work by Cristina de Middel & Bruno Morais, Matthieu Gafsou and Jonas Bendiksen; and in the Emergences section, which includes the ten photographers included in the New Discovery Award this year.